In February 2008, while eagerly anticipating the première of my Concerto for Theremin and Chamber Orchestra by Scott Paulson and the San Diego Chamber Orchestra, I wrote a series of posts about the process of getting the score and parts ready to submit to the performers. A reader requested that I make them easily accessible from a single page, so here are links to each installment, with back story, explanations and/or witty commentary!
Note: Music copying is one of the things I do for a living. If you need a music copyist, or you know someone who does, contact me! I do arranging, transcribing, proofreading editing… anything that involves putting notes on paper a computer screen. 🙂
The Fascinating Life of a Music Copyist, Part 1
The Fascinating Life of a Music Copyist, Part 2
Special Bonus Post! Clefs of Speed
The Fascinating Life of a Music Copyist, Part 3
The Fascinating Life of a Music Copyist, Part 4
Hi there,
Jeffry George speaks very highly of you and I thought you’d like to know that he’s back as our executive director. In case you’re interested we have some great shows this year. If you have any questions please let me know.
WHAT’s 2012 Theater Season!
References to Salvador Dali Make Me Hot by José Rivera
(May 24 – June 9)
The Consequences (a musical) by Nathan Leigh and Kyle Jarrow (June 14 – July 7) WORLD PREMIERE
Saving Kitty by Marisa Smith (July 12 – July 28) WORLD PREMIERE
Hysteria: Or Fragments of an Analysis of an Obsessional Neurosis by Terry Johnson (Aug. 5 – Aug. 25)
Oblomov by Kevin Rice (Aug. 30 – Sept. 22) AMERICAN PREMIERE
Thank you,
Linda L. Thomas, Marketing Director @ WHAT
C: 508-958-3576
linda@what.org